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#Teechallaclothing Fashion LLC As it turns out, Fine and Wilson weren’t just driving around they were also filming an amazing, unusual, and gripping documentary, Brian Wilson: Long Promised Road out today in theaters and on streaming services, directed by Brent Wilson no relation. Woven into the Santa Biden Merry Hanukkah let’s get lit Christmas sweater In addition,I will do this film’s relatively straightforward approach to telling the story of the Beach Boys through the prism of the band’s true visionary with help from a diverse group of obsessive fans including Elton John, Bruce Springsteen, Nick Jonas, and conductor Gustavo Dudamel is footage of Wilson and Fine on the road in and around L.A., chatting about the sort of things triumphs, setbacks, death, disaster, rebirths, legacy that two friends talk about when they drive around together. Long Promised Road also gives us vivid insight into Wilson’s decades long battle with mental illness.
#Teechallaclothing Fashion LLC I sat down with Fine to ask him how this film came together and how he got the Santa Biden Merry Hanukkah let’s get lit Christmas sweater In addition,I will do this notoriously elusive Wilson to open up about his life in a way that few other people could. Vogue: I know you’ve interviewed Brian a number of times and were friendly with him, but how did you come to be involved with this film, and how did you settle on this unusual format Jason Fine: The director, Brent Wilson, and his producers, Theresa Page and Tim Headington, wanted to do a deep documentary on Brian, but Brian just wasn’t that interested in talking. At one point, I was doing a story for Rolling Stone about Brian and was on a bus with him, driving from L.A. to Santa Barbara, and Brent was on the bus trying to get stuff out of Brian but was getting nowhere to the point where he was left on the side of the road somewhere on the 101 with his camera on his shoulder! Eventually Brent and his team came to me for some advice about talking to Brian and interviewing Brian Brent had read some of my pieces in Rolling Stone and he and I started talking about the idea of just driving around with Brian which is something we’d done for years driving around L.A. and seeing places that were meaningful for him, stopping for sushi or whatever. And we got the idea that that might be a nice way to structure this film. It was Brent’s ingenious ability to make this happen there were so many cameras in the car that made it great and so much fun. Brian was DJing most of the time, playing songs and telling stories. He lives now maybe 15 miles from where he was born, and all of his songs were written around there all of his life has been lived there. And driving around looking out the window makes for a really nice way to have a conversation. He’s such a native Angeleno, and also a mythical figure in the area, and it was such a privilege to see it through his eyes.
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