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#Teechallaclothing Fashion LLC In 1922, Sophie Taeuber Arp posed what now feels like an oddly prescient question: In our complicated times, when the Bigfoot cold snacks big tracks vice grip garage shirt moreover I love this struggle for existence has become so difficult, I have frequently asked myself, why conceive ornaments and color combinations when there are so many more practical and especially more necessary things to do Her response was, likewise, comfortingly apt: With moments of crisis, the artist argued, came the urge to make the things we own more beautiful. Born in Davos, Switzerland, in 1889, Taeuber Arp was a textile artist, sculptor, dancer, painter, and marionette maker her sprawling body of work united in a cheerily colorful abstraction. Her wonderfully varied attempts to inject even tablecloths and cabinetry with beauty and a kind of geometric whimsy constitute Sophie Taeuber Arp: Living Abstraction, a sweeping survey that made stops in Basel and London before arriving at the Museum of Modern Art this month. Taken together, the exhibition’s 300 odd objects, all constructed between 1914 and 1943, make the case for Taeuber Arp as one of modern art’s most enterprising and delightfully surprising figures.
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